[1] |
CHEN Yu.
On the Feeling Structure of Film Suspense
[J]. Journal of Shanghai University (Social Science Edition), 2013, 30(2): 22-31.
|
[2] |
HUANG Shi-xian.
Humanistic Affinity and Cultural Character of Hou HsiaoHsien' s Movie Works
——Also on the Rise and Humanistic Features of Taiwan "New Movies"
[J]. Journal of Shanghai University (Social Science Edition), 2013, 30(2): 1-10.
|
[3] |
LAN Fan.
On the Industrial Logic of Film as Art
[J]. Journal of Shanghai University (Social Science Edition), 2013, 30(2): 11-21.
|
[4] |
RAO Shu-Guang.
Films and National Image: Industry, Culture and Aesthetics
[J]. Journal of Shanghai University (Social Science Edition), 2012, 29(5): 16-30.
|
[5] |
LI Xian-Jie.
Vision and Feelings
——A Comparison of Narrative Space and Discourse Pattern Between Chinese and Foreign Blockbusters from A Global Perspective
[J]. Journal of Shanghai University (Social Science Edition), 2012, 29(5): 31-44.
|
[6] |
XUE Feng.
"Three Movies" and Movie Criticism Methodology in Contemporary China
[J]. Journal of Shanghai University (Social Science Edition), 2012, 29(5): 45-56.
|
[7] |
.
Mainstreaming in Chinese Films and Massification of Mainstream Films:Culture, Aesthetics and Limit
[J]. Journal of Shanghai University (Social Science Edition), 2012, 29(4): 12-21.
|
[8] |
.
Microfilms: Changes, Chances and Challenges
[J]. Journal of Shanghai University (Social Science Edition), 2012, 29(4): 31-38.
|
[9] |
SUN Chao-Yi.
Redefining Cinema: The Embodied Experience and Phenomenology of Film
[J]. Journal of Shanghai University (Social Science Edition), 2012, 29(3): 17-30.
|
[10] |
CHEN Xi-He, TAN Jie.
A Literature Review on Cantonese Film Studies in Hong Kong
[J]. Journal of Shanghai University (Social Science Edition), 2012, 29(3): 31-46.
|
[11] |
JI Wei.
History of Chinese Cinema: Its Conception and Related Issues
——A Historical Perspective of Film Studies
[J]. Journal of Shanghai University (Social Science Edition), 2012, 29(3): 47-55.
|
[12] |
CHENG Bei, XIN Tie-Gang.
The Condensation and Displacement in Film Rhetoric
——Also Comment on the Foundation of Psychoanalysis Semantics in Metz' s Film Semiotics
[J]. Journal of Shanghai University (Social Science Edition), 2011, 18(6): 49-57.
|
[13] |
LI Xian-Jie.
Space and Transcending
——The Genre Characteristics and Narrative
Turn of Hollywood Films at the Age of Globalization
[J]. Journal of Shanghai University (Social Science Edition), 2011, 18(6): 22-35.
|
[14] |
Tun-Pei-Ci.
The Mode of the Taiwanese Film Industry and Its Development Tendency
——From the Perspective of Cultural Economy
[J]. Journal of Shanghai University (Social Science Edition), 2011, 18(6): 36-48.
|
[15] |
CHEN Xi-He, JIN Shu-Ying.
The Construction of the Modern Film Theory
——A ReEvaluation of the Theoretical Heritage of the NeoSensualism in Films
[J]. Journal of Shanghai University (Social Science Edition), 2011, 18(2): 16-22.
|